D Is for Deadbeat Read online

  I parked under a pepper tree, using the overhanging branches as brief shelter while I put up my umbrella. I checked the names and house numbers of the two former neighbors, hoping one of them could give me a lead on Polo's current whereabouts.

  The first door I knocked on was answered by an elderly woman in a wheelchair, her legs wrapped in Ace bandages and stuffed into lace-up shoes with slices cut out of the sides to accommodate her bunions. I stood on her leaky front porch, talking to her through the screen door, which she kept latched. She had a vague recollection of Billy, but had no idea what had happened to him or where he'd gone. She did direct me to a little rental unit at the rear of the property next door. This was not one of the addresses I'd picked up from the city directory. She said Billy's family had lived in the front house, while the rear was still occupied by an old gent named Talbot, who had been there for the last thirty years. I thanked her and picked my way down the rain-slicked stairs and back along the driveway.

  The front unit must have been one of the early houses in the area – a story and a half of white frame, with a peaked roof, two dormers, and a front porch that was screened in now and furnished with junk. I could see the coils on the backside of an old refrigerator and beside it, what looked like a pillar of milk cartons, filled with paperback books. Hydrangeas and bougainvillea grew together in a tangle along the side of the house and the runoff from the rain gutter threw a gush of water out on the drive, forcing me to cut wide to the right.

  The rear unit looked like it was originally a tool shed, with a lean-to attached to the left side and a tiny carport on the right. There was no car visible and most of the sheltered space was taken up by a cord of firewood, stacked against the wall. There was room left for a bicycle maybe, but not much else.

  The structure was white frame, propped up on cinderblocks, with a window on either side of a central door, and a tiny chimney poking up through the roof. It looked like the drawing we all did in grade school, even to the smoke curling up from the chimney pipe.

  I knocked and the door was opened by a wizened old man with no teeth. His mouth was a wide line barely separating the tip of his nose from the upward thrust of his chin. When he caught sight of me and realized that I was no one he knew, he left the doorway briefly and returned with his dentures, smiling slightly as he shifted them into place. His false teeth made a crunching sound like a horse chewing on a bit. He looked to be in his seventies, frail, his pale skin speckled with red and blue. His white hair was brushed into a pompadour in front, shaggy over his ears and touching his collar in the back. He wore a shirt that looked soft from years of washing and a cardigan sweater that probably belonged to a woman at some point. The buttons were rhinestone and the buttonholes were on the wrong side. He smoothed his hair back with a trembling hand and waited to see what I could possibly want.

  "Are you Mr. Talbot?"

  "Depends on who's asking," he said.

  "I'm Kinsey Millhone. The woman next door suggested that I talk to you. I'm looking for Billy Polo. His family lived in that front house about five years ago."

  "I know Billy quite well. Why are you looking for him?"

  "I need some information about a friend of his," I said and then gave him a brief explanation. I couldn't see any reason to prevaricate so I simply stated my purpose and left it at that.

  He blinked at me. "Billy Polo's a very bad fella. I wonder if you're aware of that." His voice was powdery and I noticed that he had a tremor, his head oscillating as he spoke. I guessed that he suffered from some form of parkinsonism.

  "Yeah, I am. I heard he was up at the California Men's Colony until recently. I think that's where he met the man I'm referring to. Do you have any idea how I might reach him?"

  "Well, you know, his mother is the one who owned that place," he said, nodding toward the front house. "She sold it about two years ago when she remarried."

  "Is she still here in town?"

  "Yes, and I believe she's living on Tranvia. Her married name is Christopher. Just a minute and I'll give you the address." He shuffled away and a few moments later was back with a small address book in hand. "She's a lovely woman. Sends me a card every year at Christmastime. Yes, here it is. Bertha Christopher. Goes by the nickname of Betty. If you chance to see her, I wish you'd give her my best."

  "I'll do that, Mr. Talbot. Thanks so much."

  Tranvia turned out to be a wide, treeless street off Milagro on the east side of town, a neighborhood of one-story frame houses on small lots, with chicken wire fences, unruly head-high poinsettia bushes pelted by the rain, and soggy children's toys abandoned in driveways paved with parallel strips of concrete. The level of maintenance here seemed erratic, but the address I now had for Bertha Christopher showed one of the better-kept houses on the block, mustard-colored with dark brown trim. I parked my VW on the opposite side of the street, about fifty yards away, so I could sit and watch the place inconspicuously. Most of the parked cars were crummy so mine fit right in.

  It was now after 5:00 and the light was fading fast, the chill in the air more pronounced. The rain had eased somewhat so I left my umbrella where it was. I grabbed my yellow slicker and slipped into it, pulling up the hood. I locked the car and crossed the street, splashing through puddles that darkened the leather of my boots. The rain drummed against the fabric of the slicker with a pocking sound that made me feel like I was in a pup tent.

  The Christopher property was surrounded by a low rock wall, constructed with sandstone boulders the size of cantaloupes, held together with concrete. A row of hanging planters screened the front windows from the street and a set of glass windchimes, suspended in one corner of the porch, tinkled with the wind. There were two lightweight aluminum lawn chairs arranged on either side of a metal table. Everything was soggy and smelled of wet grass.

  There was no doorbell, but I tapped on the pane of glass in the front door, cupping a hand so I could peer in. The interior was in shadow, no lights showing from the rear of the house. I moved to the porch rail and checked the adjacent houses, both of which were dark. My guess was that many of these people were off at work. After a few minutes, I went back to my car.

  I started the engine and ran the heater for a while, fogging up the windows until I could barely see. I rubbed a clear spot in the middle of the windshield and then sat and stared. Streetlights came on. At 5:45, I ate my sandwich just for something to do. At 6:15, I drank some coffee and flipped on my car radio, listening to a talk-show host interview a psychic. Fifteen minutes later, right after the 6:30 news, a car approached and slowed, turning into the Christophers' driveway.

  A woman got out, dimly illuminated by the street light. She paused as if to raise her umbrella and then apparently decided to make a dash for it. I watched her scuttle up the driveway and around toward the back of the house. Moments later, the lights went on in sequence... first the rear left room, probably a kitchen, then the living room, and finally the front porch light. I gave her a few minutes to get her coat hung up and then I returned to her front door.

  I knocked again. I could see her peer into the hallway from the rear of the house and then approach the front door. She stared at me blankly, then leaned her head close to the glass for a better look.

  She appeared to be in her fifties, with a sallow complexion and a deeply creased face. Her hair was too uniform a shade to be a natural brown. She wore it parted on the side with big puffy bangs across her lined forehead. Her eyes were the size and color of old pennies and her makeup looked like it needed renewing at this hour of the day. She wore a uniform I'd seen before, brown pants and a brown-and-yellow-checked tunic. I couldn't place the outfit offhand.

  "Yes?" she called through the glass.

  I raised my voice against the sound of the rain. "I'm looking for Billy. Is he back yet?"

  "He don't live here, hon, but he said he'd be by at eight o'clock. Who are you?"

  I picked a name at random. "Charlene. Are you his mother?"

  "Charlene who?"r />
  "A friend of his said I should look him up if I was ever in Santa Teresa. Is he at work?"

  She gave me an odd look, as if the notion of Billy working had never crossed her mind. "He's out checking the used car lots for an automobile."

  She had one of those faces that seemed tantalizingly familiar and it dawned on me, belatedly, that she was a checker at the supermarket where I shop now and then. We'd even chatted idly about the fact that I was a P.I. I eased back out of the porch light, hoping she hadn't recognized me at the same time I recognized her. I held the corner of the slicker up as though to shield my face from the wind.

  She seemed to pick up on the fact that something odd was going on. "What'd you want him for?"

  I ignored that, pretending I couldn't hear. "Why don't I come back when he gets home?" I hollered. "Just tell him Charlene stopped by and I'll catch up with him when I can."

  "Well, all right," she said reluctantly. I gave her a casual wave as I turned. I went down the porch steps and into the dark, aware that she was peering after me suspiciously. I must have disappeared from her field of vision then because she turned the porch light off.

  I got back in my car with one of those quick, involuntary shudders that racks you from head to toe. When I caught up with Billy, I might well admit who I was and what I wanted with him, but for the moment, I didn't want to tip my hand. I checked my watch and settled in, prepared to wait. Already, it was feeling like a long night.

  Chapter 8

  * * *

  Four hours passed. The rain stopped. It became apparent that Billy was not only late, but possibly not coming at all. Maybe he'd bought a car and hightailed it out of town, or maybe at some point he'd phoned his mother and decided to skip the visit when he heard about "Charlene." I finished all the coffee in the thermos, my brain fairly crackling from caffeine. If I smoked cigarettes, I could have gone through a pack. Instead, I listened to eight more installments of the news, the farm report, and an hour of Hispanic music. I pondered the possibility of learning the Spanish language by simply listening to these gut-wrenching tunes. I thought about Jonah and the husbands I'd known. Surely, if my heart broke again, it would sound just like this, though for all I knew, the lyrics were about cut worms and inguinal hernias, matters only made soulful through soaring harmonies. Altogether, I came perilously close to boring myself insensible with my own mental processes, so it was with real relief that I saw the car approach and pull into the curb in front of the house across the street. It looked like a 1967 Chevrolet, white, with a temporary registration sticker on the windshield. I couldn't tell much about the guy who got out, but I watched with interest as he took the porch steps in two bounds and rang the bell.

  Betty Christopher came to the door to let him in. The two of them disappeared. A moment later, shadows wavered against the kitchen light. I figured they'd sit down for a couple of beers and a heart-to-heart talk. The next thing I knew, however, the front door opened again and he came out. I slipped down on the car seat until my eyes were level with the bottom of the window. The cloud cover was still heavy, obscuring the moon, and the cars along the curb created deeper shadows still. He stared out at the street, taking in the line of parked cars one by one. I felt my heart start to thump as I watched him come down the steps and head in my direction.

  He paused in the middle of the street. He moved over to a van parked two cars away from mine. He flicked on a flashlight and opened the door on the driver's side, apparently to check the registration. I lost sight of him. Moments went by. I watched the shadows, wondering if he'd crept around the other side and was coming up on my right. I heard a muffled sound as he closed the door to the van. The beam from his flashlight swept over the car in front of me and flashed across my windshield, the light too diffused by the time it reached me to illuminate much. He flicked it off. He waited, scanning the street on both sides. Apparently, he decided there was nothing to worry about. He crossed back to the house. As he reached the porch, she came out, clutching a robe around her. They talked for a few minutes and then he got in his car and took off. The minute she went inside, I started the VW and did a big U-turn, following. I hoped this wasn't all some elaborate ruse to flush me into the open.

  He had already made a left turn and then a right by the time I caught sight of him two blocks ahead of me. We were driving along the back streets with no traffic lights at all and only an occasional stop sign to slow our progress. I had to close the gap or risk losing him. A "one-man" tail is nearly pointless unless you know who you're following and where he's going to begin with. At this hour, there were very few cars on the road, and if he drove far, he'd realize the presence of my VW was no accident.

  I thought he was headed toward the freeway, but before he reached the northbound on-ramp, he slowed and made a right-hand turn. By then, I was only half a block back so I whipped over to the curb and parked, killing the engine. I locked the car and took off on foot, heading diagonally across the corner lot at a dead run. I caught sight of his taillights half a block ahead. The car was making a left-hand turn into a shabby trailer park.

  Puente is a narrow street that parallels Highway 101 on the east side of town, with the trailer park itself squeezed into the space between the two roadways, screened off from the highway by a ten-foot board fence and masses of oleander. I was covering ground at a quick clip. The houses I passed were dark, driveways crowded with old cars, most of them sporting dents. The street lighting here was poor, but ahead of me I caught traces of light from the trailer park, which was strung with small multicolored bulbs.

  By the time I got to the entrance, there was no sign of the Chevrolet, but the place was small and I didn't think the car would be hard to spot. The road twisting through the trailer park was two lanes wide. The blacktop still glistened from the rain and water was dripping from the eucalyptus trees that towered at intervals. There were signs posted everywhere: SLOW. SPEED BUMPS. TENANT PARKING ONLY. DO NOT BLOCK DRIVEWAY.

  Most of the trailers were "single-wides," fifteen to twenty feet long, the kind that once upon a time you could actually hitch to your car and travel in. Nomad, Airstream, and Concord seemed to predominate. Each had a numbered cardboard sign in the window, indicating the number of the lot on which it sat. Some were moored in narrow patches of grass, temporary camper spaces for RVs passing through, but many were permanent and, by the look of them, had been there for years. The lots were stingy squares of poured concrete, surrounded by sections of white picket fence two feet high, or separated from one another by sagging lengths of bamboo matting. The yards, when they existed, harbored an assortment of plastic deer and flamingos.

  It was almost eleven and many of the trailers were dark. Occasionally, I could see the blue-gray flicker of a TV set. I found the Chevrolet, hood warm, the engine still ticking, parked beside a dark green battered trailer with a torn awning and half the aluminum skirting ripped away. From inside, I could hear the dull thump of rock and roll music being played too loudly in too small a space.

  The trailer windows were ovals of hot yellow light, positioned about a foot higher than eye level. I edged around to the right-hand side, easing in as close as I could, checking the area to see if any of the neighbors had spotted me. The trailer next door had a FOR RENT sign taped to the siding, and the one across the lane had the curtains pulled. I turned back to the window and got up on tiptoe, peering in. The window was opened slightly and the air seeping out was hot and smelled of fried onions. The curtains consisted of old cotton dish towels, with a brass rod threaded through one end, hanging crookedly enough to provide a clear view of Billy Polo and the woman he was talking to. They were both seated at a flop-down table in the galley, drinking beer, mouths working, words inaudible in the thumping din of music. The interior of the trailer was a depressing collage of cheap paneled walls, dirty dishes, junk, torn upholstery, newspapers, and canned goods stacked on counter tops. A bumper sticker pasted above the front door said, I'VE BEEN TO ALL 48 STATES!

  There was
a small black-and-white television set perched on a cardboard box, tuned to what looked like the tag end of a prime-time private-eye show. The action was speeding up. A car careened out of control, flipping end over end before it went off a cliff, exploding in midair. The picture cut to two men in an office, one talking on the phone. Neither Billy nor his companion seemed to be watching and the music must have made it impossible for them to hear the dialogue anyway.

  I could feel a cramp forming in my right calf. I cast about for something to stand on to ease the strain. The yard next door was a jungle of overgrown shrubs, the parking space choked with discards. There was a set of detached wooden steps tucked up under the trailer door. I blundered through the bushes, my jeans and boots getting drenched in the process. I was counting on the thunder of music to cover the sound of my labors as I hefted the box steps, tramped back through the shrubs, and set the steps under the window.

  Cautiously, I mounted, peering in again. Billy Polo had a surprisingly boyish face for a man who'd lived his thirty years as a thug. His hair was dark, a curly mass standing out around his face. His nose was small, his mouth generous, and he had a dimple in his chin that looked like a puncture wound. He wasn't a big man, but he had a wiry musculature that suggested strength. There was something manic about him, a hint of tension in his gestures. His eyes were restless and he tended to stare off to one side when he spoke, as if direct eye contact made him anxious.

  The woman was in her early twenties, with a wide mouth, strong chin, and a pug nose that looked as if it was made of putty. She wore no makeup and her fair hair was dense, a series of tight ripples that she wore shoulder length, brittle and illcut. Her skin was very pale, mottled with freckles. She was wearing a man's oversized silk bathrobe and apparently nursing a cold.